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Transformation Through Art: A Personal and Professional Perspective

May 03, 2023
  • 00:00All right. So thanks everyone for
  • 00:03joining us today and that thanks
  • 00:05for everyone on Zoom as well as in the room.
  • 00:08Very much Want to welcome you to
  • 00:10the annual Max Ripfo lecture that's
  • 00:12dedicated to the memory of Max Ripfo,
  • 00:15a Yale graduate and a poet who through
  • 00:17his poetry gave such deep voice to his
  • 00:20long and painful struggle with cancer,
  • 00:23but also to the deep human
  • 00:25connection on that poetry can bring
  • 00:27and can bring us all together.
  • 00:30Max actually thrived on
  • 00:32bringing people together.
  • 00:34We're also very grateful
  • 00:36to Doctor Ari Ritfo, who is with us online
  • 00:39on Max's mother and longtime friend and
  • 00:42faculty member of the Child Study Center
  • 00:44for establishing this lectureship that
  • 00:47brings together the humanities and mental
  • 00:50health and really helps us to see that
  • 00:53humanity in that interface. So Ari,
  • 00:56I know you're online and thank you so much.
  • 00:59For your continued support and your continued
  • 01:02partnership and devotion to helping us all
  • 01:05stay connected with our shared humanity,
  • 01:07I think Max would actually be very,
  • 01:09very happy about that.
  • 01:11And Ari, I don't know if,
  • 01:12if at this point you'd like to say something,
  • 01:14I would love to hear from you.
  • 01:22Can you hear us? Sorry, yes, I
  • 01:25had. I had. It takes me a while.
  • 01:27And that too. So unmute,
  • 01:29mute, all these things.
  • 01:32Really thrilled to be in this room.
  • 01:35Sorry I couldn't be with you in person.
  • 01:37Welcome to everybody.
  • 01:38I think you're in for a terrific,
  • 01:41terrific hour. Eva really rocks.
  • 01:46We started this program
  • 01:47for medical humanities a few years ago
  • 01:50to commemorate Alan and Max and their
  • 01:54interest in people as a hall despite their.
  • 01:59Disability or illnesses that they suffered
  • 02:02through and we wanted to bring artists.
  • 02:06Andreas Martin introduced me to some things
  • 02:09that were going on at Yale at the time
  • 02:12that were quite exciting in that vein.
  • 02:16And we we decided to make this
  • 02:20endowment to see if we can have.
  • 02:23People speak about holistic approach.
  • 02:26So far we've done very well with our speakers
  • 02:29and Eva was a natural choice her her,
  • 02:33she will talk about bald beauty
  • 02:36which we also sponsor our foundation.
  • 02:39I find it a remarkable project and very,
  • 02:43very relevant to to this endowment.
  • 02:48And so it was at A2 Fer.
  • 02:51For me, because there's the bald
  • 02:52beauty and then there is Eva,
  • 02:54who is Max's half sister,
  • 02:57and Joy, who she will talk about,
  • 03:00I think, I hope she does,
  • 03:02who was Max's favorite niece and
  • 03:05the the two of them were very
  • 03:08close and bald Beauty reframes.
  • 03:10Disability is different ability,
  • 03:12which I thought was perfect
  • 03:14for this room today.
  • 03:15So I'm really excited about it.
  • 03:17Looking forward to it.
  • 03:19And you're right,
  • 03:21Linda,
  • 03:21Max and Alan would both be so
  • 03:24thrilled with with this program and
  • 03:27how it's developing and with today.
  • 03:31Thank you so much, Ari. And and you,
  • 03:32you are the one who made this possible.
  • 03:34So you are actually with us in the
  • 03:36room even though you're with us
  • 03:38virtually we're holding you in our mind.
  • 03:40So actually you've already introduced Dr.
  • 03:42Eva Ripfo, but I I really want
  • 03:44to just say a few more things.
  • 03:46And you've heard about Eva's
  • 03:48connection with Max and you'll hear
  • 03:50more about that as the talk goes on.
  • 03:53But I would just say that as we plan
  • 03:54today's sessions over the last few months,
  • 03:56it's just been a pleasure to work together.
  • 03:58It's really been a wonderful collaboration.
  • 04:01And I know when you start to hear her,
  • 04:03you're going to see why it's so much fun.
  • 04:06Doctor Riffo is a practicing psychiatrist
  • 04:08working in Miami with individuals,
  • 04:11couples, families and grounds for
  • 04:12work in the consulting room and
  • 04:15also publicly on building and
  • 04:17sustaining healthy relationships.
  • 04:18That should be very much consonant in
  • 04:21music to all the way we think as the book
  • 04:24that she's brought with you and brought
  • 04:26with her and it's on the back table there.
  • 04:28Her book Be Kinder emphasizes that kindness.
  • 04:32It's the glue that holds us together.
  • 04:34It's a glue to community health.
  • 04:36To individual health to
  • 04:38sustain relationships.
  • 04:39And now,
  • 04:40I would say now more than ever
  • 04:42in our fractured times,
  • 04:43this is a message that we deeply need.
  • 04:47As you heard from the other doctor,
  • 04:49Ripfo are a doctor.
  • 04:51Ripfo even has also established
  • 04:53the Bold Beauty Project,
  • 04:55and you'll hear about that
  • 04:56in much more detail.
  • 04:57But it celebrates women and
  • 04:59celebrates their individuality of
  • 05:01women with varying disabilities.
  • 05:03And it encourages all of us to look
  • 05:05at each person's individuality.
  • 05:07That goes much deeper than what you
  • 05:10actually see on the creativity of this
  • 05:13project that she's brought together,
  • 05:14I think you're going to hear about.
  • 05:16But it is very fitting with this
  • 05:19lecture series that brings the
  • 05:21humanities and medicine together.
  • 05:23So, Eva, thank you really for joining us.
  • 05:25Thank you for being a part of the child.
  • 05:34Thank you everybody.
  • 05:35Thank you Linda for that beautiful
  • 05:37introduction. Thank you Stan,
  • 05:38who already brought me a gift.
  • 05:41Which was so nice.
  • 05:42Thank you, Andreas.
  • 05:44Thank you, Patrice Una, everybody.
  • 05:46Thank you for coming out and
  • 05:49thank you for listening on Zoom.
  • 05:51As you see, this is going to be a
  • 05:54personal and professional perspective.
  • 05:56So it's a little bit more intimate than I'm
  • 05:59usually used to in these presentations.
  • 06:01So I'm a little bit nervous.
  • 06:04My father always used to start
  • 06:06every lecture with as unaccustomed
  • 06:08to public speaking as I am,
  • 06:11but it's been three years
  • 06:12and it's been a pandemic,
  • 06:13so I am slightly unaccustomed,
  • 06:15so hopefully that won't present any problems.
  • 06:18I do especially want to thank Ari,
  • 06:20because without her,
  • 06:21none of us would be here.
  • 06:22Max wouldn't be here, I wouldn't be here.
  • 06:25She is our number one supporter,
  • 06:26the Gold Beauty Project,
  • 06:27not just US supporter,
  • 06:28but our number one supporter since
  • 06:30the beginning of the project.
  • 06:32So we're deeply grateful to her and for
  • 06:34creating this lectureship here at Yale.
  • 06:36So without any further ado,
  • 06:38we will get started.
  • 06:39But I do want to say one thing,
  • 06:41which is this is a project
  • 06:43that is meant to spread.
  • 06:45It is not meant to be kept to us.
  • 06:48Patrice and I feel we're
  • 06:49here just as conduits.
  • 06:51So we're really hoping that this
  • 06:52project sparks interest here with
  • 06:54some of you at Yale or some of your
  • 06:57friends or somebody listening on Zoom,
  • 06:59because that is how our
  • 07:02project gets perpetuated, so.
  • 07:04Our teaching objectives today are
  • 07:06to one share personal experiences.
  • 07:09Because as you heard,
  • 07:11Max is my half brother and so he is not here,
  • 07:14so we feel we have to speak for him.
  • 07:17So I'm going to share from a
  • 07:19more personal perspective.
  • 07:20You will learn about the Bold Beauty project.
  • 07:22If you look around the room,
  • 07:23we have images from the project.
  • 07:26Each image is always displayed
  • 07:27with a biography of our model.
  • 07:30And so you can look at those
  • 07:32after the program.
  • 07:33And then lastly,
  • 07:34since we're here at the Child Study Center,
  • 07:37we're going to talk about change.
  • 07:39How does change occur?
  • 07:40Why do we do this project?
  • 07:42And you can spread that to
  • 07:45really any form of art.
  • 07:46How does any form of art help people change?
  • 07:49And I think that's really the
  • 07:50mission of the lectureship.
  • 07:51So it is with complete irony
  • 07:53that it all comes together so
  • 07:56beautifully today and really.
  • 07:58And I do want to talk first about Max.
  • 08:01Max was my half brother.
  • 08:03There was a large age difference,
  • 08:06so people get confused.
  • 08:08But Max was here as an undergraduate.
  • 08:11He studied poetry.
  • 08:12He had had Ewing Sarcoma
  • 08:14in his high school years,
  • 08:16was in remission when he came here to Yale,
  • 08:19and then unfortunately the cancer
  • 08:22came back during his time here.
  • 08:24But that did not stop Max.
  • 08:27He went on to graduate.
  • 08:28He then went to Columbia where he got an
  • 08:31MFA and he actually ended up on the
  • 08:34Columbia faculty and at the same time he
  • 08:36had all this professional accomplishment.
  • 08:38He also fell in love,
  • 08:42got married, and wrote a lot.
  • 08:45Sadly, the four books now were all
  • 08:49published after his life ended.
  • 08:51He died at 25 years old.
  • 08:55Most recently,
  • 08:56his book Letters from Max turned
  • 08:59into a Off Broadway production.
  • 09:04234 of my doctor friends in this room.
  • 09:06I think I've seen that already,
  • 09:08so I appreciate you all coming again.
  • 09:10Patrice was there.
  • 09:11Andreas has seen it.
  • 09:12Was quite moving.
  • 09:14Letters from Max was written with Sarah Ruhl.
  • 09:18Sarah Ruhl is a professor here
  • 09:19as hopefully you know playwright,
  • 09:21and she befriended Max.
  • 09:23Max was in her class.
  • 09:26And he was an extraordinary young person.
  • 09:29And so they struck up a friendship that
  • 09:31lasted till the end of Max's life.
  • 09:34And they communicated mainly by letters,
  • 09:36sometimes emails, sometimes text,
  • 09:38sometimes phone calls,
  • 09:39and sometimes in person.
  • 09:41And Max knew that this
  • 09:43would turn into a book.
  • 09:45And now it has turned into a
  • 09:48show and very powerful and.
  • 09:52New York Times reviewed, Etcetera.
  • 09:54So we hope that the show has legs.
  • 09:56Certainly Max has an enormous legacy
  • 09:58for a man who only reached 25.
  • 10:02And I think that speaks to what
  • 10:03we're going to talk about today,
  • 10:04which is that vulnerability comes
  • 10:07creates an opportunity for connection.
  • 10:10Max being so sick, so young,
  • 10:12facing death so young,
  • 10:14was so incredibly vulnerable
  • 10:17and used that to connect.
  • 10:19And he had an incredible reach during
  • 10:22his lifetime on podcasts and writing,
  • 10:25going places.
  • 10:26When he passed away,
  • 10:29his colleagues,
  • 10:29many of whom went to school here,
  • 10:32took his books on the road and
  • 10:34did signings across the country.
  • 10:36And you really couldn't go almost
  • 10:38anywhere in 2016 without 20
  • 10:40year olds knowing who Max was.
  • 10:42So.
  • 10:42It's a huge honor to be speaking here
  • 10:46and trying to carry on his vision,
  • 10:48which is that there is a huge role
  • 10:52for humanities in medicine even as
  • 10:56we're facing terminal illnesses.
  • 10:59Max and I shared father that's Ed Rit Foe.
  • 11:03Ed Rit Foe,
  • 11:05many of you may know for his research
  • 11:08and autism my father went to.
  • 11:10Harvard Knight. Yale. I apologize.
  • 11:11We're going to have a few Harvard
  • 11:14folks here today. And he was a rebel.
  • 11:16And he went out to Los Angeles and
  • 11:19got on the faculty at UCLA and was,
  • 11:21you know,
  • 11:22had grown up in that psychoanalytic era
  • 11:25where mental illness came from bad mothers.
  • 11:27And he didn't buy that.
  • 11:29And so he set out to show the
  • 11:33biological cause of autism and
  • 11:35he went to Utah and studied.
  • 11:38Autism in families where he found
  • 11:41multiple incidents and was able
  • 11:43to show that there was a genetic
  • 11:45pattern to this.
  • 11:46So I remember my father saying that
  • 11:49he could judge his success by the
  • 11:51amount of hate mail he received.
  • 11:53So that was my dad.
  • 11:55And he also had tremendous
  • 11:57struggle with illness in his life.
  • 12:00He had his first heart attack
  • 12:02in his 40s and went on to have
  • 12:04a heart transplant at 69.
  • 12:06And he crossed the finish line
  • 12:08at 90 and died 10 days later.
  • 12:12So he really broke a lot of barriers.
  • 12:16This book that Stan just brought
  • 12:17me is by another man who had a
  • 12:19heart transplant at Cedars Sinai,
  • 12:21where my father had his heart transplant.
  • 12:23So our family is never
  • 12:25been a stranger to illness.
  • 12:27I remember my own therapist
  • 12:28telling me many years ago that
  • 12:30there's not much distance between
  • 12:32you and the patient on the couch.
  • 12:34And that is certainly true.
  • 12:36So that's also been My greatest
  • 12:39teacher is my daughter Joy,
  • 12:41who is not here with us today
  • 12:43because travel is difficult for her.
  • 12:45And spoiler alert,
  • 12:46she's leaving on the honeymoon,
  • 12:48so she didn't want to come.
  • 12:50But let me back out first.
  • 12:53Doctor Abrams and I were in Cornell
  • 12:55together doing our psychiatry training,
  • 12:57and we both had babies at the same time.
  • 12:59And sadly for the program director,
  • 13:01so did seven others of us.
  • 13:04So it was something in the
  • 13:05water at that time.
  • 13:06We all had our babies and
  • 13:08everything was pretty wonderful.
  • 13:09And then I moved down to University of Miami,
  • 13:11where I joined the faculty.
  • 13:12And the week before I joined the faculty,
  • 13:15I found out that my daughter had cerebral
  • 13:18palsy, a form called hemiparicist.
  • 13:20She had an area in her brain
  • 13:22that failed to develop.
  • 13:24They called it for encephaly.
  • 13:25It was a small hole, but it caused
  • 13:27weakness on the left side of her body.
  • 13:29So that was at six months.
  • 13:31Ari jumped in.
  • 13:33Ironic, right?
  • 13:34And she found us a physical therapist,
  • 13:36Occupational therapist?
  • 13:37A woman named Lois Gold.
  • 13:38And well, my daughter was born Marissa,
  • 13:43so she changed her name to Joy.
  • 13:45But she was born Marissa,
  • 13:46so she started therapy when she was
  • 13:49six months old and was going to the
  • 13:52usual OT speech therapy, etcetera.
  • 13:54And things were okay, you know.
  • 13:56So she was weak on her left
  • 13:58half wasn't that bad.
  • 13:59And then at 2 1/2,
  • 14:00she developed her first seizure.
  • 14:03And then she went through
  • 14:06multiple medications,
  • 14:08at which point, at five years old,
  • 14:10it was called medically intractable epilepsy,
  • 14:12meaning that they could not
  • 14:15fix it with medication.
  • 14:17Now the hard part of the talk,
  • 14:18which Doctor Glickson has
  • 14:19encouraged me to go through.
  • 14:22At 5, she went to the hospital to have brain
  • 14:25surgery to clean up the area for encephaly,
  • 14:30to see if the margins could be cleaner,
  • 14:32therefore not to have these massive
  • 14:35seizures that you were having.
  • 14:37Sidebar, the seizures were life
  • 14:39threatening because they wouldn't stop.
  • 14:41So every time she had a
  • 14:43seizure from 2 1/2 to five,
  • 14:44we had to be 10 minutes from.
  • 14:45An emergency room and we'd have to call
  • 14:48the paramedics and they would give
  • 14:49her I V sometimes through the veins,
  • 14:51sometimes other ways that weren't so pretty.
  • 14:53And we would have to work very
  • 14:55hard to get her seizures to stop.
  • 14:57So they were very life threatening seizures.
  • 14:59So we underwent this procedure
  • 15:01and 36 hours after the first
  • 15:05operation she arrested and it
  • 15:10was 5 in the morning,
  • 15:12the surgeons came back to me and said,
  • 15:13what do you want us to do?
  • 15:14I'm like. I don't know.
  • 15:17And there was a young woman there.
  • 15:18I said, what would you do?
  • 15:19And she said you got to go
  • 15:20back to the operating room.
  • 15:21So I said take her back.
  • 15:22So she went back to the operating room.
  • 15:25And this is where we ended up.
  • 15:28This is the first time I've
  • 15:30chosen to share this information.
  • 15:32So you can see you guys are doctors here,
  • 15:35that she lost a large portion of her brain,
  • 15:37no longer small portion.
  • 15:39This was at age 5, Ari,
  • 15:42and my father flew out immediately again.
  • 15:44And I remember my father
  • 15:46standing at the bedside saying,
  • 15:47well, we don't really know
  • 15:48what's going to happen now.
  • 15:50Time will tell.
  • 15:51She will recover,
  • 15:53but it's going to be a long road.
  • 15:55It was a long road.
  • 15:56So the therapist that Ari had
  • 15:59found tripled down multiple,
  • 16:00multiple hours of therapy every single day
  • 16:03that when I brought home from the hospital,
  • 16:06she weighed 32 pounds.
  • 16:07She had literally no brain functioning
  • 16:09because she had been herniating.
  • 16:11So the good part of her brain was squished.
  • 16:14I remember one time driving and
  • 16:15she tried to open the car door.
  • 16:17Five years old.
  • 16:18So this was a very trying time.
  • 16:21I remember thinking,
  • 16:22why do people think hell is somewhere else?
  • 16:26Clearly I'm in.
  • 16:26It didn't need to die to get here.
  • 16:29I'm there.
  • 16:31Sidebar.
  • 16:31I had a one year old at home and I
  • 16:34was still working at the university,
  • 16:37so it was a lot tough times.
  • 16:40That continues for quite a long time.
  • 16:43Very tough.
  • 16:43And then things got better.
  • 16:46And today we're here to talk
  • 16:48about them getting better.
  • 16:50They got better through the
  • 16:51Bold Beauty Project.
  • 16:54The Bold Beauty Project is not my idea.
  • 16:59It's the idea, brainchild of Shelly Bear.
  • 17:02Shelly and I met on what I call a
  • 17:05blind friend date. Somebody knew I
  • 17:07had a daughter with a disability.
  • 17:08They knew Shelly was an inspiring
  • 17:10woman with a disability.
  • 17:11So they thought that we ought to meet.
  • 17:13Definitely. A very good mix.
  • 17:16And when I met Shelly,
  • 17:18she told me that she had done
  • 17:20this photo shoot back in 2006,
  • 17:22where women with disabilities
  • 17:24were paired with photographers,
  • 17:27got together, had a day of a photo shoot,
  • 17:30then they blew up the images really large,
  • 17:32and they had a show.
  • 17:33And Shelly felt that this changed her
  • 17:37life and that this had given her a
  • 17:39confidence that she'd never had before.
  • 17:41Shelly had arthritis and she was
  • 17:443 and so she's short stature with
  • 17:47short arms and short fingers.
  • 17:48And she said her whole life up till then
  • 17:51she felt like her body was not her friend,
  • 17:54that people were poking and prodding
  • 17:56and staring and then when she posed
  • 17:58you could see she was semi nude.
  • 18:01She said it was a totally different
  • 18:03way of looking at herself and it had
  • 18:05really empowered her and you know,
  • 18:07this had been nine years.
  • 18:08It has stuck with her and she wanted to
  • 18:11know if I would help her carry on this
  • 18:14project since I was a psychiatrist.
  • 18:17I had a daughter with a disability
  • 18:18and I had already written a book
  • 18:19called The Beauty Prescription,
  • 18:20The complete formula for
  • 18:21looking and feeling beautiful.
  • 18:23So it seemed like a natural fade.
  • 18:25So I will admit,
  • 18:26as a psychiatrist,
  • 18:27trained and psychoanalytic,
  • 18:29as Karen knows at Cornell,
  • 18:30I thought one day changed you.
  • 18:34I don't know about that.
  • 18:35But nonetheless it sounds like fun
  • 18:37and I was looking for something
  • 18:38a little fun and lighter to do.
  • 18:40So I I jumped on board and that was 2015.
  • 18:45You just had a a zoom from Shelly Bear.
  • 18:51Thanks Ava.
  • 18:52It's so sweet.
  • 18:53And I'm going to go back and say
  • 18:56Shelly is also at the University
  • 18:58of Miami still on the faculty
  • 19:00leadership training directive.
  • 19:01And she has inspired me and so
  • 19:03many people and she speaks about
  • 19:05how to overcome the challenges
  • 19:07that she has had and to live a
  • 19:10very fulfilling and and rich life.
  • 19:12So thank you, Shelly.
  • 19:13Shelly's mom is also part of the program.
  • 19:15Too.
  • 19:16So we really started at that time,
  • 19:18mother, daughter, mother, daughter.
  • 19:19And then as I said already,
  • 19:21Ari jumped in and gave us a grant.
  • 19:24And then we got rocking and rolling.
  • 19:28We also got connected with a
  • 19:30man named Robert Zuckerman.
  • 19:31Robert Zuckerman had been out in
  • 19:33Hollywood and he was filming on all the sets.
  • 19:36He was the photographer.
  • 19:37When there was a movie going
  • 19:39on that would film the stills.
  • 19:41So when you would go to see
  • 19:42a movie advertised.
  • 19:43Those were oftentimes Robert Zuckerman,
  • 19:45so he knew all the Hollywood celebrities.
  • 19:47He was called the Picasso of Hollywood by,
  • 19:50well, Will Smith, but I don't know
  • 19:52if he dropped his name anymore,
  • 19:54especially in his Yale Study Center.
  • 19:56But anyway, Arnold Schwarzenegger,
  • 19:58he was in that crowd.
  • 20:00Then he got a disability.
  • 20:02He had a glycogen storage disease,
  • 20:05and so he became disabled
  • 20:06in the Hollywood community,
  • 20:07not surprisingly, was not supportive.
  • 20:10So. To our great fortune,
  • 20:12he came back to Miami.
  • 20:13He also had a mother and a sister
  • 20:15with a disability who lived in Miami.
  • 20:17So he came back home and we met him.
  • 20:20I met him for lunch.
  • 20:22And being sort of a tiger mom,
  • 20:24I told about the project and I said,
  • 20:26would you photograph my daughter?
  • 20:28And he said yes.
  • 20:30And that's really what we say,
  • 20:32like when the magic began.
  • 20:34And I'll tell you more about
  • 20:36that in a moment.
  • 20:37So he took the picture of my daughter,
  • 20:40which is here behind me,
  • 20:43and he jumped on board as
  • 20:45our master photographer.
  • 20:46This was prior to Patrice coming on board,
  • 20:48and he helped us grow the project.
  • 20:51So where did we grow in those years
  • 20:54from 2015 with Shelly's idea,
  • 20:56we grew to a international organization
  • 21:00and we were doing amazing.
  • 21:03Right, until the pandemic.
  • 21:05So we go to different cities,
  • 21:07we find local models,
  • 21:09local photographers,
  • 21:10and then local audiences like
  • 21:11you guys and we create shows
  • 21:13like you see here in the back.
  • 21:14So we started in Washington,
  • 21:16DC we had Miami,
  • 21:17we had Philadelphia,
  • 21:19multiple cities in Texas.
  • 21:20We then did our first international
  • 21:22show in Panama and then Patrice
  • 21:24had come on board and then.
  • 21:26She layered on top for us our
  • 21:29first inclusive fashion show
  • 21:30and we also exhibited during Art
  • 21:32Basel and I think about 7 times
  • 21:35at Art Palm Beach and Art Boca.
  • 21:37So we were just having tons of fun,
  • 21:39120 models and then the pandemic hit.
  • 21:43And then we had to stop because
  • 21:44we did not want to risk any of
  • 21:46our models or or our volunteer
  • 21:48photographers getting sick.
  • 21:50So we've been on a hiatus.
  • 21:52We are coming back September 30th
  • 21:55in Los Angeles in Ari's hometown.
  • 21:59We're very excited for that.
  • 22:00We're also in the early planning
  • 22:01stages of what we want to be,
  • 22:03our first international bold
  • 22:04beauty show and we want to come
  • 22:07back bigger and better.
  • 22:08We did have one show during the pandemic.
  • 22:12On a college campus,
  • 22:14because colleges were back,
  • 22:15so we weren't risking anybody.
  • 22:17And that was at University of Miami,
  • 22:19and we learned a lot from that.
  • 22:20It was very heartwarming, very beautiful.
  • 22:22And we do have a model
  • 22:24for college replication.
  • 22:25So if anybody, Julia, my cousin is here,
  • 22:29wants to take on this project,
  • 22:31or Andreas,
  • 22:31who has an interest in photography,
  • 22:33or Doctor Anna,
  • 22:35who's also on this faculty here,
  • 22:37we hope that somebody at Yale
  • 22:40will like our project.
  • 22:41Our tagline is disability becomes
  • 22:45beauty becomes,
  • 22:47art becomes change.
  • 22:48So change is what everybody in this
  • 22:52room probably wants to hear most about,
  • 22:55right?
  • 22:56You're all mental health professionals.
  • 22:58And as mental health professionals,
  • 22:59our job is to help people change.
  • 23:02We don't always cure.
  • 23:03That we certainly hope that we can move
  • 23:06people from where they are to a better place.
  • 23:10So with the Bold Beauty Project,
  • 23:12we have tried to help women change.
  • 23:14Again, that was Shelly's concept that
  • 23:16she had changed from this project,
  • 23:18and I saw it with my my own eyes,
  • 23:20with my daughter.
  • 23:21So we like to think about the
  • 23:23Japanese concept of wabi sabi.
  • 23:25If you're not familiar with it,
  • 23:26it's about imperfection,
  • 23:29impermanent transients.
  • 23:31Sometimes can veer into the rustic,
  • 23:34and this is an example of King
  • 23:37Sugi which is repairing with gold.
  • 23:40So in this ceramic object like
  • 23:42you often see when they're broken,
  • 23:46they repair it with gold and the
  • 23:48idea being that the repair creates
  • 23:51more beauty than you originally had.
  • 23:54And this sings to us.
  • 23:56Right,
  • 23:56because I have this daughter
  • 23:58with this disability.
  • 23:59But now this disability has turned
  • 24:01into something so beautiful,
  • 24:03creating these art shows and
  • 24:04creating change for people.
  • 24:06So we love that concept.
  • 24:09This is what I try to remind myself
  • 24:11like last night when I was feeling
  • 24:13fearful and I was doubting that I
  • 24:15could do this, I said just be free.
  • 24:17Just show up. Be free.
  • 24:20You don't have to bring your fear.
  • 24:21You don't have to bring your doubt.
  • 24:22So this is another model for
  • 24:24change that we hope that when our
  • 24:26models come to us and by the way
  • 24:28our photographers come to us,
  • 24:30we have to talk them through the
  • 24:32process because this is moving
  • 24:33them out of their comfort zone.
  • 24:35They're not used to this.
  • 24:36And so often times,
  • 24:38there's reluctance on both of their parts.
  • 24:40And so it's that idea that change
  • 24:43can occur when you move from
  • 24:45that space of fear and doubt to
  • 24:47that feeling of freedom,
  • 24:49the feeling of freedom to express yourself.
  • 24:52Through photography through
  • 24:54like Max with poetry.
  • 24:57So there's a lot of power in in that
  • 24:59and so we we have to work with our
  • 25:01models and photographers to get them there.
  • 25:03But if you can take a quick peek behind you,
  • 25:06you can see that we've gotten
  • 25:08them there and the the moment
  • 25:10for them is transcendent and the
  • 25:12experience is transcendent.
  • 25:14So since we're a medical school,
  • 25:16I'll tell you another paradigm for change.
  • 25:20We always think about our nervous
  • 25:21system right and balanced,
  • 25:23so we have our fight or flight or our
  • 25:25rest and digest our tendon to friends.
  • 25:28So we're giving people an opportunity
  • 25:30to move from that fear base or that
  • 25:33cortisol to that oxytocin, that love space.
  • 25:36And if you are born with a
  • 25:38disability like my daughter,
  • 25:40or many of these women have
  • 25:42developed disabilities,
  • 25:43you live with a lot of arousal,
  • 25:45a lot of cortisol.
  • 25:47The simplest things are hard to do.
  • 25:50Try brushing your teeth with one hand.
  • 25:53So.
  • 25:54Everything is hard to do,
  • 25:55so you're in a state of hyper arousal.
  • 25:58So we want this project to be
  • 26:00about getting out of that state
  • 26:02and feeling that parasympathetic
  • 26:03side of the nervous system,
  • 26:05feeling loved, supported, nurtured,
  • 26:09connected and during the pandemic
  • 26:10that was very, very important.
  • 26:12And Shelly jumped in and made a
  • 26:14support group for all the the women
  • 26:16who'd been part of the project to
  • 26:18continue to connect and support
  • 26:20each other during that time.
  • 26:22That was isolating for so many of us.
  • 26:26Right now, this is mushrooms,
  • 26:29this is psychedelics,
  • 26:29this is hip and cool, right?
  • 26:31Everybody's talking about the power of
  • 26:34change and single interventions, right?
  • 26:37You go in, you get your ketamine,
  • 26:39you come out,
  • 26:40you see the world a totally different way.
  • 26:42So we like to think that we have found
  • 26:44a non pharmacologic way to do it,
  • 26:47doesn't have all the potential side
  • 26:48effects or risks and we don't have
  • 26:50to worry about doing it again and
  • 26:51again and need to escalate the dose.
  • 26:53So we create an experience,
  • 26:55a one time experience.
  • 26:57The only model that's been photographed
  • 26:59twice I think is my daughter.
  • 27:00But for for most of them,
  • 27:02well Shelly too,
  • 27:03it's a one time experience and we want that
  • 27:07experience to create permanent change,
  • 27:10to be able to see themselves
  • 27:12and see the world differently.
  • 27:15So the most important thing we think.
  • 27:20That we're creating for people is an
  • 27:23experience of increased compassion,
  • 27:26so the women get to tell their stories
  • 27:28so we all can understand their story,
  • 27:32and that's how we gain in compassion.
  • 27:35So our photographers are way
  • 27:37out of their comfort zone.
  • 27:38They have not done shoots like this,
  • 27:40so we have to be compassionate toward
  • 27:43them to sometimes they get very anxious.
  • 27:45And then they can increase their
  • 27:47compassion because they're working
  • 27:49with a different sort of models.
  • 27:51And then the audience who who comes and
  • 27:53views these images and reads these stories,
  • 27:56they enhance their compassion.
  • 27:58And so today, hopefully all of you
  • 28:00will broaden your sense of compassion.
  • 28:02So this is an Einstein quote that I love,
  • 28:05which is a human being is part
  • 28:07of a whole called by us,
  • 28:09the universe.
  • 28:10Our task must be free ourselves.
  • 28:14By widening our circles of compassion
  • 28:17to embrace all living creatures and
  • 28:20the whole of nature in its beauty.
  • 28:23And this is one of our models who decided
  • 28:26to be photographed in front of Einstein.
  • 28:29And so this was an Einstein that's
  • 28:31on the wall up in Palm Beach.
  • 28:32So we drove ourselves up to Palm Beach and
  • 28:35she was photographed in front of of Einstein.
  • 28:37So thank you, Michelle.
  • 28:40And Michelle was her photographer.
  • 28:43So for myself,
  • 28:44I think the change occurred
  • 28:46based on a course correction.
  • 28:49And the way I described this to my
  • 28:51patients is if you set out for a long
  • 28:54walk and you're a little bit off course,
  • 28:56which happens to me all the time
  • 28:58cause I have directional dyslexia.
  • 29:00So I'm going the wrong direction.
  • 29:03But then if you correct your course
  • 29:06even by a little bit, if you keep going.
  • 29:10You will end up in a very different space
  • 29:13than the way you were going before.
  • 29:17I think the medical model is incomplete.
  • 29:21I grew up with two child psychiatrists.
  • 29:24I had a choice to be anything
  • 29:26I wanted to be in the world.
  • 29:28OBGYN, radiology.
  • 29:29There was going to be no prejudice.
  • 29:32You got the joke.
  • 29:33The joke is I had only
  • 29:35those choices Once. I was a doctor,
  • 29:38then I could do anything I wanted.
  • 29:41But the assumption was that you'd go to
  • 29:42medical school and then you'd figure out
  • 29:44what you want to do when you grow up.
  • 29:45So medical school is traumatizing
  • 29:49and it can be abusive and difficult.
  • 29:53And I think when you grow up
  • 29:55in your 20s in that model,
  • 29:57and then you get into academic medicine and
  • 29:59then you have a doctor with a disability,
  • 30:01it's kind of easy to think that life
  • 30:04is really tough. Really challenging.
  • 30:06And that you're supposed to be hard and
  • 30:08you're supposed to be a fighter and
  • 30:10you're supposed to be a problem solver.
  • 30:12And then here I am with this problem
  • 30:14I can't solve, can't solve it.
  • 30:16And so for all those years from I would
  • 30:20say my daughter's birth until 2015,
  • 30:22the launch of the Bold Beauty project,
  • 30:25there was a weight on me.
  • 30:27Sense of, you know. Inadequacy.
  • 30:29How did I let my daughter have this surgery?
  • 30:31How did the surgery go so wrong?
  • 30:33How did I pick this surgeon?
  • 30:34And it was It was a heavy,
  • 30:37heavy load to carry.
  • 30:38Heavy load.
  • 30:39And of course I didn't tell anybody what
  • 30:41happened to her because it was her.
  • 30:43I didn't want to make a decision for her.
  • 30:45She was 5.
  • 30:46I didn't want to tell people what she had,
  • 30:49so I didn't tell anybody.
  • 30:51This is the first time I'm going
  • 30:52to tell anybody because she's 32
  • 30:54and she went and got that X-ray
  • 30:56for you guys all to see.
  • 30:57So the course correction for
  • 31:00me was maybe this isn't so bad.
  • 31:04Maybe disability becomes beauty
  • 31:06becomes art becomes change.
  • 31:09Maybe it's all okay.
  • 31:11For my daughter,
  • 31:12the course correction was simpler.
  • 31:16And maybe more profound.
  • 31:19And I'm sorry she's not here
  • 31:20to say it herself,
  • 31:20but she is on Zoom if you want
  • 31:21to ask her any questions.
  • 31:22But for her,
  • 31:23it was an opportunity for the first time
  • 31:26in her life to see herself as beautiful.
  • 31:31That's it. She saw herself as beautiful.
  • 31:42This is what happens when you
  • 31:43have a master photography.
  • 31:45Take your picture. So she will tell
  • 31:48you that this thank you, that's fine,
  • 31:50that this was a permanent change for her.
  • 31:53She was at her third attempt in college
  • 31:56at this point at Lynn University.
  • 31:59And after she felt beautiful,
  • 32:01she created a dating profile and she said
  • 32:04she was just honest and she said I'm high,
  • 32:07I'm a shy Tumblr nerd and
  • 32:10she wanted to meet somebody.
  • 32:13So Vince wrote back, Hey.
  • 32:17And if you know Vince,
  • 32:18that that's kind of fitting.
  • 32:20Not long on words,
  • 32:21at least not when he's around me.
  • 32:23And he wrote, hey,
  • 32:25and she wrote whatever she wrote.
  • 32:27And he came up to Lynn and met her there.
  • 32:31They took a walk around the campus
  • 32:33and she asked if he wanted to be
  • 32:35her boyfriend and he said yes.
  • 32:37This was in 2016, so.
  • 32:41The rest blossomed very,
  • 32:43very beautifully since then
  • 32:45and in October she got married,
  • 32:50so it was a long journey back.
  • 32:53These are her photos that were
  • 32:57shown at Art Palm Beach the day
  • 33:00that Robert came to photograph her.
  • 33:02We referred to as a love fest.
  • 33:05We had. I had only met him one.
  • 33:07She never met him.
  • 33:08Some of our photographers and
  • 33:10models will meet multiple times
  • 33:12before having their shoot.
  • 33:14Robert had one phone call with me.
  • 33:16He said, what does your daughter want to do?
  • 33:17I said she wants to be photographed
  • 33:19in rose petals. He said great,
  • 33:21have her wear something neutral.
  • 33:22That was.
  • 33:23It showed up the next day at my house
  • 33:26in a wheelchair with a beautiful woman
  • 33:28you can see in the photo named Zoride,
  • 33:31who's hearing a paired.
  • 33:32A mother and a 7 year old boy that he
  • 33:36had met in Miami Children's Hospital
  • 33:38when he was being treated for cancer
  • 33:40and he wanted to be a photographer.
  • 33:44So all these people come traipsing in
  • 33:46my house at 10:00 in the morning on
  • 33:49a Saturday and the seven-year old boy
  • 33:51pulled all the pedals off the roses.
  • 33:53Zuryda stood over my daughter
  • 33:55and threw them on her.
  • 33:57And then Robert says to my daughter who
  • 33:59is now known for like half an hour,
  • 34:00do you want to photograph Zuryda?
  • 34:03And she's like, sure.
  • 34:04And so she took that image that
  • 34:06you see now of Zoritis.
  • 34:08So in space of two hours, magic occurred.
  • 34:11I stayed out of the way,
  • 34:12by the way.
  • 34:14And she found her in her beauty,
  • 34:17and she found this self esteem
  • 34:19of being a photographer.
  • 34:21And she and Robert formed an independent
  • 34:24relationship and she called him Pops
  • 34:27and he called her all sorts of dear things.
  • 34:31And it was really a very,
  • 34:33very beautiful and very special
  • 34:35relationship that they fostered.
  • 34:36And we went and we exhibited many,
  • 34:39many, many, many times.
  • 34:40Her photo is on all the cards.
  • 34:43So I said probably 100,000 people have seen
  • 34:46that image now and her change has stuck.
  • 34:49So now where is Joy getting
  • 34:52ready for her honeymoon?
  • 34:54She is married to Vince October of.
  • 34:592020 two 10/22/22 and many people were
  • 35:03at the wedding and are here today.
  • 35:07And since she did finally finish
  • 35:10college and I have to credit Vince
  • 35:12with a lot of that because he said
  • 35:14to her that he wouldn't propose
  • 35:15until she finished college and he
  • 35:17stuck to his word and as soon as she
  • 35:20finished college he proposed and.
  • 35:22She wanted to have makeup on
  • 35:24the first day she met him,
  • 35:26but she couldn't do it because
  • 35:28she was alone in her room.
  • 35:29And so she has now a patent on
  • 35:34this product which is one hand
  • 35:36a makeup applicator.
  • 35:38So look for this in stores very soon.
  • 35:40As I said,
  • 35:41she was born Marissa but she
  • 35:43changed her name to Joy,
  • 35:44so the product is called Joyfully You
  • 35:46so you can do that all on your own.
  • 35:48So to say that I'm proud of my
  • 35:51daughter would be an understatement.
  • 35:54She's not here today,
  • 35:55which is a shame because we went out
  • 35:57shopping last week and she said refer to
  • 35:59herself as my emotional support daughter.
  • 36:01So I could have really used one of those
  • 36:04this trip, but she couldn't make it.
  • 36:06But you see her here today and I think
  • 36:09that she's really come full circle
  • 36:11and really found her way in the world,
  • 36:14and I couldn't be prouder.
  • 36:17So how did I change from the
  • 36:18bowl of beauty project, right?
  • 36:20So I think I told you a bit.
  • 36:23Like, I just lifted a lot of
  • 36:25the guilds and the loss of,
  • 36:27you know, the narcissistic injury
  • 36:28and all those kind of things,
  • 36:30and I just started to have fun.
  • 36:33You could see Patrice here in this picture.
  • 36:36Patrice helped me with this book.
  • 36:38I wrote this book, came out in 2018.
  • 36:42It's about kind acts by strangers.
  • 36:45There are 64 different stories.
  • 36:47My story in here is the story I just
  • 36:49told you about Robert Zuckerman,
  • 36:51the photographer,
  • 36:52How this man just, you know,
  • 36:54literally rolled into our
  • 36:55life and changed our lives.
  • 36:57And it was such a beautiful experience.
  • 36:58So I shared that and Joy shared
  • 37:01her experience of meeting Vince
  • 37:03and getting married.
  • 37:04And then there's 62 other stories.
  • 37:07Here. The lead story is come from away.
  • 37:09If any of you saw come from away,
  • 37:12the couple that met and come from away
  • 37:14or friends of mine there in this book.
  • 37:16And I have plenty of copies
  • 37:17if anybody wants to copy.
  • 37:19So we did our art shows and we would
  • 37:21bring all this stuff about kindness and
  • 37:23we would bring our bold beauty project.
  • 37:25And Patrice and I were traveling,
  • 37:26speaking at schools and temples,
  • 37:28etcetera about kindness.
  • 37:30Again, that all halted with a pandemic.
  • 37:33And I cut my practice back.
  • 37:35I will practice now,
  • 37:37halftime,
  • 37:37and try to indulge in some of
  • 37:39these other projects and writing
  • 37:41and reaching a bigger audience and
  • 37:43just trying to have a lot more fun.
  • 37:45The other thing that I've learned
  • 37:47from my daughter and from our
  • 37:49models is how important selfcare is.
  • 37:51You know, in medicine,
  • 37:52they teach you the reverse.
  • 37:54I don't eat.
  • 37:55If you're going to eat,
  • 37:56grab a slice of pizza because
  • 37:57that's all you have time for and you
  • 37:59might not get to go to the bathroom
  • 38:00because something might be like,
  • 38:02more important than that.
  • 38:03And again,
  • 38:04it's kind of hard when you hear that
  • 38:06your whole 20s to get past that.
  • 38:07Like, I never ate lunch.
  • 38:09I just didn't eat.
  • 38:10And then my daughter's like, mom,
  • 38:12you got to take care of yourself.
  • 38:13And then I was, Oh my God,
  • 38:14I have to take care of myself
  • 38:16because my daughter needs me.
  • 38:17So a real paradigm shift there.
  • 38:19So now that I'm a little bit older,
  • 38:21like,
  • 38:21I prioritize yoga in front of
  • 38:23everything else.
  • 38:24Everything else can go around it because,
  • 38:27you know, it's a downhill slide and
  • 38:28you got to do the best you can.
  • 38:30So my course correction I would say is,
  • 38:32is very substantial.
  • 38:34The other thing is most
  • 38:36of my friends changed.
  • 38:38Because not everybody gets this.
  • 38:40And so getting into this new world,
  • 38:43these women are amazing women,
  • 38:46and they have become my closest and dearest
  • 38:49friends and mental health professionals.
  • 38:51Those are the two groups I can
  • 38:54still hang with, but I did lose a
  • 38:56lot of friends along the way.
  • 38:57You know, as your priorities change and
  • 38:59your goals change and your interests change,
  • 39:01But I've become much more.
  • 39:03Fulfilled have a real sense of
  • 39:05purpose gets you up in the morning.
  • 39:08And I think it goes back to that freedom,
  • 39:09like the freedom to express who
  • 39:11you are and what you want to do.
  • 39:14Sometimes as a therapist,
  • 39:15we limit that, right?
  • 39:16Because it's all about the other.
  • 39:18And so I think that that can,
  • 39:20you know be very draining.
  • 39:22And so it's been really nice to
  • 39:23just get out and be able to talk
  • 39:25to people and I appreciate being
  • 39:26here today and telling my story.
  • 39:28Oops. So how do our models change?
  • 39:31I told you about how Shelly changed.
  • 39:33I told you about how my daughter Joy changed.
  • 39:36She went from being Marissa to Joy.
  • 39:39She said she's a Phoenix Rerisen
  • 39:41and she has been a great example.
  • 39:45This is an incredible woman.
  • 39:46Her name is Roni. She lives in Panama.
  • 39:49She's part of our Panama show.
  • 39:51She's the mother of four,
  • 39:52and she developed the flu and pneumonia.
  • 39:55She spent 60 days in a coma.
  • 39:58And then.
  • 39:59Like Joy was reborn,
  • 40:01she lost both of her legs and one hand.
  • 40:05Only one hand is left,
  • 40:07but her passion was to be able to
  • 40:10still throw a ball with her children,
  • 40:13so she wanted to be depicted.
  • 40:17For being beautiful.
  • 40:17Because as you can see,
  • 40:18she's a beautiful woman.
  • 40:20But she also wanted to be shown engaged
  • 40:22in one of her favorite activities,
  • 40:24which is baseball.
  • 40:25So each model decides what's
  • 40:27important to them,
  • 40:29and then the photographer
  • 40:30works to help capture that.
  • 40:32So she said, for her,
  • 40:33this day was very transformative
  • 40:35because it reminds her never to give up,
  • 40:38that you can always achieve your
  • 40:39dreams no matter what they are,
  • 40:41no matter how far they.
  • 40:42Feel away from you.
  • 40:43Don't give up because you can achieve them.
  • 40:45This photo was done only four years after
  • 40:48she had been in the coma for 60 days.
  • 40:50She has since gone on to
  • 40:51become a public speaker.
  • 40:53I think her book is out now and quite an
  • 40:56inspiration and extraordinary person to meet.
  • 41:00I'm going to talk also about.
  • 41:03Well,
  • 41:04I don't want to say favorite,
  • 41:05That's not the right word.
  • 41:06But the woman that I'm most
  • 41:08intimate and closest with from our
  • 41:10project and that's Kerry Grueson.
  • 41:12And Kerry has become a very dear friend.
  • 41:14She was also my neighbor.
  • 41:16I inadvertently moved into the
  • 41:18same building that she was in.
  • 41:20So that was a real blessing.
  • 41:22And Kerry to me is the perfect
  • 41:24model for post traumatic growth.
  • 41:27And you in this room know
  • 41:29what post traumatic growth is.
  • 41:31It's very important,
  • 41:32I think, that we all ignore.
  • 41:34Knowledge how damaging the pandemic
  • 41:36was that every single one of us in
  • 41:38this room was damaged by the pandemic.
  • 41:41Not to say that we don't have post
  • 41:43traumatic growth and we're coming out better,
  • 41:45but so much was lost,
  • 41:47so much was lost all of a sudden
  • 41:49and so much anxiety was gained.
  • 41:51So I think it's a very important time
  • 41:53for us as mental health professionals to
  • 41:55be talking about post traumatic growth.
  • 41:57And post traumatic growth occurs in
  • 42:002/3 of people experiencing trauma.
  • 42:03So this is what we see in our models.
  • 42:06They are extraordinary women because
  • 42:07the ones we select are the 2/3 that have
  • 42:10grown and we try to select, you know,
  • 42:12the most exemplary ones of those.
  • 42:14So these are the pillars of post traumatic
  • 42:16growth and you could hear these in
  • 42:18in my story and my daughter's story,
  • 42:20the model stories,
  • 42:21the photographer's stories,
  • 42:22starting Anna at the top
  • 42:24with spiritual change.
  • 42:25Moving to personal strength.
  • 42:27These are strong women.
  • 42:29Don't mess with them.
  • 42:31Relationships to others change.
  • 42:32You have to be very intimate and
  • 42:34very caring to be in relationship
  • 42:36with somebody who has a lot of needs.
  • 42:39I'm looking at Doctor Glickson.
  • 42:40We've been through a lot together.
  • 42:42We're incredibly bonded.
  • 42:44Karen tragically lost her
  • 42:46husband December 30th of 2019,
  • 42:49so we went through that right
  • 42:51before the pandemic.
  • 42:52In The Pandemic,
  • 42:53so your relationships deepens.
  • 42:55Karen's best friend is
  • 42:56now my best friend Lynn,
  • 42:58because we've been through
  • 42:59all these things together.
  • 43:00You have an appreciation for life.
  • 43:04What do you think it's like to be
  • 43:06my age here, speaking for my half
  • 43:08brother who died at 25 on this campus,
  • 43:11practically, right?
  • 43:14You must have an appreciation for life.
  • 43:17Life is short.
  • 43:18Life is fleeting.
  • 43:19People who've been through trauma know that.
  • 43:21They get that.
  • 43:22I don't go through a day without thinking
  • 43:25about maybe I wasn't going to be here.
  • 43:26What if I'm not here?
  • 43:27All these sorts of thoughts.
  • 43:29Julia.
  • 43:30Oh my gosh,
  • 43:31my cousin is here.
  • 43:33We tragically lost her father,
  • 43:35March of 2020 in a boating accident.
  • 43:38So we must appreciate every day.
  • 43:41Joy is here as a freshman,
  • 43:42so proud of her for being here.
  • 43:44And then new possibilities.
  • 43:46And that is what the bold
  • 43:48beauty project is about.
  • 43:50I would never have thought
  • 43:51of anything like this.
  • 43:53Thank goodness that Shelly did.
  • 43:54Thank goodness a friend put us together.
  • 43:56Thank goodness for so many things.
  • 43:58Thank goodness for Ari supporting us.
  • 44:00Patrice was met through a mutual
  • 44:02friend at a cocktail party.
  • 44:03So these are all the ways that people
  • 44:05can experience post traumatic growth.
  • 44:07I think it's vitally important as.
  • 44:10Healthcare professionals that
  • 44:11we focus on growth,
  • 44:12not just illness.
  • 44:14So I want to tell you about Kerry.
  • 44:17This is a picture of Kerry.
  • 44:19This is a gentleman who's holding
  • 44:20her up because she cannot stand.
  • 44:23You can see he only has one leg.
  • 44:25So Kerry again, sorry,
  • 44:27we're Harvard, not Yale.
  • 44:29Harvard undergraduate ended up
  • 44:32in journalism was on her way to.
  • 44:37Report the end of the Vietnam War.
  • 44:39She was in Hawaii,
  • 44:41in a hotel room, alone,
  • 44:43interviewing a Green Beret.
  • 44:45He had APTSD flashback,
  • 44:48mistook her for Vietcong,
  • 44:51strangled her, left her for dead.
  • 44:55She stumbled onto the street.
  • 44:57Spent many years rehabilitating.
  • 45:00She has post traumatic Parkinson's.
  • 45:04Where she can practically not move,
  • 45:08her head is tilted.
  • 45:09Her voice is a whisper.
  • 45:10She can go like this and
  • 45:12give you a thumbs up.
  • 45:14And her nonprofit is called
  • 45:17Thumbs Up International,
  • 45:19where they take athletes with
  • 45:21disabilities like this man and
  • 45:23like Harry and athletes that don't
  • 45:25have disabilities and pair them.
  • 45:27And they go through all
  • 45:32these experiences together.
  • 45:33Carrie's message is very simple,
  • 45:35which is a look beyond perceived
  • 45:39limitations and together
  • 45:42we can and can she does.
  • 45:45She also has a documentary
  • 45:47called May I Help You?
  • 45:49In which she talks about how
  • 45:51needing help is actually a gift
  • 45:55because giving help feels so good.
  • 45:58Well,
  • 45:58how are you going to give
  • 46:00help if no one needs help?
  • 46:02So this is something that I've learned,
  • 46:03because they certainly wouldn't teach
  • 46:05you that in medical school, would they?
  • 46:07So I learned from my daughter, ask for help.
  • 46:10So I need reading glasses.
  • 46:12But you know what?
  • 46:12A lot of times I don't put them on.
  • 46:14I asked somebody, could you read me this?
  • 46:15Could you read me that?
  • 46:17Because that's how we connect.
  • 46:19We connect through our vulnerability.
  • 46:22We don't necessarily
  • 46:23connect through strength.
  • 46:25We connect through vulnerability.
  • 46:26I know you know who Brené Brown is,
  • 46:29and I'm sure you've seen her Ted Talk,
  • 46:31but Carrie is the manifestation of that.
  • 46:33And her documentary is called May I Help You?
  • 46:37It's on YouTube.
  • 46:38It's 27 minutes around.
  • 46:40I highly urge you to watch it.
  • 46:42Carrie competes with a woman named Karen.
  • 46:45They have 3 Guinness Book of World's Records.
  • 46:48For athletic accomplishments,
  • 46:50one is the most triathlons completed
  • 46:54by a person carrying a person.
  • 46:57They did 3 triathlons in a week.
  • 46:59They raced across the state of Florida.
  • 47:02Okay second one is the fastest duo
  • 47:05team in the New York City Marathon
  • 47:09and the third is the longest duo team.
  • 47:12I think it's like 56 hours.
  • 47:15Okay, This is a woman who cannot
  • 47:17brush her teeth without help,
  • 47:18yet she gathers all these people
  • 47:22to do these incredible things,
  • 47:26so she's also brilliant.
  • 47:28Her mind is unaffected and we text
  • 47:31and e-mail probably on a daily basis.
  • 47:34And anytime I'm in traffic and I think,
  • 47:37oh, I'm so frustrated, I'm in traffic.
  • 47:39I think, no, I'm not going there.
  • 47:42I'm in traffic, I can drive.
  • 47:45There's no problem here.
  • 47:46So Kerry has helped me gain a
  • 47:48perspective that I don't know
  • 47:50how else I would have gained.
  • 47:52How do you gain that perspective without
  • 47:55knowing somebody so intimately as this?
  • 47:57So Kerry is very, very accessible.
  • 48:00She's listening on Zoom now.
  • 48:01If anybody wants her e-mail address,
  • 48:03if anybody wants to participate
  • 48:05in Thumbs Up International,
  • 48:06please reach out to any of us.
  • 48:10How do our photographers change? Well.
  • 48:13We're going to give you hot off the press.
  • 48:16Patrice and I called the photographer
  • 48:17from this shoot this morning.
  • 48:19Her name is Kelly.
  • 48:20This is one of my favorite images.
  • 48:22This is a a woman named Teresa and Teresa
  • 48:25is a vet and she has post traumatic
  • 48:28stress disorder and a very high level
  • 48:30of anxiety amongst other disabilities.
  • 48:33And she's extremely indiverted and
  • 48:35doesn't like to leave the house.
  • 48:37So she decided to be really
  • 48:39brave for a bold beauty shoot.
  • 48:41Patrice was there that day
  • 48:42they went to Times Square.
  • 48:44Now this was pre pandemic,
  • 48:46so it was crowded with people,
  • 48:48had everybody kind of move away
  • 48:50and they took this image of her.
  • 48:52Kelly, our photographer,
  • 48:53had been a photographer prior
  • 48:55to this experience.
  • 48:56She told us literally this morning
  • 48:58that the bold beauty experience for
  • 49:01her was so transformative that she
  • 49:04went back to social work school.
  • 49:06And is now working full time
  • 49:08as a social worker.
  • 49:09And I said to her, are you happier now?
  • 49:12And she said of course I am.
  • 49:14I found my purpose.
  • 49:17I feel so fulfilled and I feel whole.
  • 49:22I did not plant that word.
  • 49:24So we all got very tearful,
  • 49:26including the makeup artist who by
  • 49:27the way is on board for the next
  • 49:29show when we do it here in New Haven.
  • 49:30She was so touched by the whole thing.
  • 49:32So not only do our photographers change,
  • 49:34but our ancillary services change too.
  • 49:36And we have makeup artist volunteering.
  • 49:38We have all sorts of people volunteering.
  • 49:40This was our most incredible
  • 49:42shoot that we've ever done.
  • 49:43This is a woman named Leticia.
  • 49:45Leticia was injured in a car
  • 49:48accident and is paraplegic and the
  • 49:51photographer is Alexandra Vivas and.
  • 49:54Casandra worked with a sculptor.
  • 49:56They went to thrift shops and
  • 49:59they got 3 wheelchairs.
  • 50:01He welded them together,
  • 50:02created a cage made out of the wheelchairs.
  • 50:05Because this was what she wanted.
  • 50:08They collaborated.
  • 50:08She wanted to show herself
  • 50:11breaking free from her wheelchair,
  • 50:14wheelchair cage.
  • 50:15So we have a pool,
  • 50:18we have a black tart we've got.
  • 50:20People everywhere submerge the
  • 50:23sculpture underwater.
  • 50:25She's wearing a special underwater suit,
  • 50:26special underwater makeup,
  • 50:28The photographers down there with
  • 50:30scuba gear and our model swimming out
  • 50:34and swimming out and swimming out.
  • 50:35I'm like, Oh my God,
  • 50:36how many times are we going to do the shoot?
  • 50:37We can't keep doing the shoot,
  • 50:39but you know how photographers are.
  • 50:40Do it again, do it again,
  • 50:41do it again.
  • 50:43So this was the most impactful
  • 50:45shoot to be present at and we
  • 50:47think an incredibly powerful image.
  • 50:49So this photographer has stayed with us.
  • 50:52She's going to be shooting again
  • 50:54for international,
  • 50:54probably for Los Angeles as well,
  • 50:57and she found this experience to
  • 51:00be incredibly transformative.
  • 51:01Our our coordinator for this shoot
  • 51:03then went on to do our same project,
  • 51:06but with incarcerated women.
  • 51:08And this photographer did this amazing,
  • 51:10amazing underwater shoot of an
  • 51:12incarcerated woman talking through one
  • 51:14of those phones.
  • 51:15So just incredible talent,
  • 51:18incredible creativity.
  • 51:20Also not necessarily encouraged
  • 51:21in medical school, right?
  • 51:22You got to think within those lines.
  • 51:25Not everybody think, oh,
  • 51:26we have Mary who thought outside
  • 51:28of the box and is one of the
  • 51:29founders of immunotherapy.
  • 51:31But in medical school they teach
  • 51:32you think within the lines.
  • 51:34So the creativity part of our
  • 51:35project I think has been very
  • 51:37important and very transformative.
  • 51:39So I know we're running out of time.
  • 51:42Our audience,
  • 51:43our audience to me is our most important.
  • 51:45Why sheer numbers.
  • 51:46You guys are our biggest, right.
  • 51:49We have 120 models, 120 photographers.
  • 51:51We've had thousands and thousands and
  • 51:53thousands of of people listening to us.
  • 51:56So today I'm hoping that you will all change.
  • 51:59I hope that you will leave here different.
  • 52:02I hope that you will feel connected
  • 52:04to this project to reach out
  • 52:06to any of us at any time.
  • 52:08I hope you will feel braver
  • 52:09to connect with other people,
  • 52:11to connect through vulnerability as.
  • 52:13Max and my daughter and everyone
  • 52:16has shown you,
  • 52:17I hope that you will gain perspective.
  • 52:19Anybody who has 2 feet to walk out
  • 52:22of here is blessed. If you can see,
  • 52:24you're blessed if you can hear,
  • 52:26you're blessed. You're at Yale.
  • 52:28You've got a high IQ.
  • 52:29You're hard workers.
  • 52:31You're ambitious.
  • 52:31You are blessed every moment of your life.
  • 52:34You're blessed and take these blessings
  • 52:37to help people that are challenged
  • 52:39in other ways and to be grateful.
  • 52:42Being grateful is such an important
  • 52:45way of improving your own life.
  • 52:47Thinking about what you're grateful for.
  • 52:49Hopefully you're grateful
  • 52:50that you came here today,
  • 52:52that you are on this campus,
  • 52:53that you're growing, that you're
  • 52:55learning you're making new friends.
  • 52:57How can you grow as a healer?
  • 53:00Have you heard of Gabor Monte?
  • 53:02Raise your hand. Great. So about half.
  • 53:05Have the other half. This is homework.
  • 53:07Latest book is called The Myth of Normal.
  • 53:09It was 10 years in the writing.
  • 53:11He just wrote it with his son.
  • 53:12600 pages.
  • 53:13So if you want to get it shorter
  • 53:14you can watch the YouTube version.
  • 53:16Not bad,
  • 53:16but his whole belief is that we are
  • 53:20fracturing ourselves with trauma.
  • 53:24Small tea trauma, Big tea trauma.
  • 53:26And that's why our society and
  • 53:28our cultures are so damaged.
  • 53:30He's Canadian,
  • 53:31so he sort of looks down upon us,
  • 53:33but they have their problems there as well.
  • 53:36But his concept is healing into
  • 53:38wholeness rather than healing disease.
  • 53:41We try to do that,
  • 53:42but we can't always do that.
  • 53:44And I think what our project is about
  • 53:46we don't touch these women's disease.
  • 53:47We don't care about their diseases.
  • 53:49We want them to feel whole and
  • 53:51we want them to feel seen and.
  • 53:54We want them to feel complete.
  • 53:55So I think his message is extremely powerful,
  • 53:58very beautiful,
  • 53:59and we can take it all to ourselves,
  • 54:02right?
  • 54:02So each of us needs to feel
  • 54:05whole and then we bring that into
  • 54:07our work as a healer
  • 54:09and we can help people feel whole.
  • 54:11Even as Mario knows,
  • 54:13in the face of a terminal illness
  • 54:16people can still feel whole.
  • 54:18So in conclusion.
  • 54:21Trauma is not what happens to us,
  • 54:23but what we hold inside in the Absence
  • 54:27of an Empathic Witness by Gabor Monte.
  • 54:30I used you guys today as a witness
  • 54:33to share something that I've
  • 54:34carried as a secret for 27 years,
  • 54:37so I'm hoping that I will
  • 54:40feel healed when I leave here.
  • 54:43This is my favorite image, other than,
  • 54:45of course, my every other one,
  • 54:47which is my favorite.
  • 54:48Really have to stop using that word.
  • 54:50This is a woman who had Ms.
  • 54:52who thought and was told that she
  • 54:55could not conceive and her greatest
  • 54:57dream was to have a child and she
  • 55:00got pregnant and she went through
  • 55:02the pregnancy without an Ms.
  • 55:04flare.
  • 55:04And this is her son and this is
  • 55:08her son gazing into her eyes.
  • 55:10She always wanted to be on a magazine
  • 55:12cover with her son and this image
  • 55:14was on a magazine cover in Panama.
  • 55:16So in terms of empathic witness,
  • 55:19you don't get better than that.
  • 55:20You don't get better than my
  • 55:22emotional support daughter,
  • 55:23my other daughter who's so beautiful
  • 55:25and empathic and is watching today
  • 55:27and has texted me 10 times today
  • 55:30to see if I'm okay and you guys
  • 55:32are all empathic witness for me.
  • 55:33And you need to be empathic
  • 55:36witnesses for your patients.
  • 55:37It's a broadening of your concept of healing.
  • 55:40Can I just say before you finish,
  • 55:42really not done. I'm really not done.
  • 55:44Can you give me two more slides?
  • 55:45Yes,
  • 55:45because there's someone who
  • 55:46wants to say something to you,
  • 55:47but go, go ahead, two more slides.
  • 55:49My daughter Joy would like to speak to you.
  • 55:51She would like to tell you to appease,
  • 55:53be slow, be kind,
  • 55:54be patient, be compassionate.
  • 55:56And that people like all these
  • 55:59models are not disabled.
  • 56:02They have different abilities
  • 56:03because she can't run and jump
  • 56:06and play and do all those things.
  • 56:08She's incredibly intuitive.
  • 56:10And incredibly artistic,
  • 56:12because Kerry can't do.
  • 56:13I don't know what she can't do,
  • 56:16but somehow she can do all these
  • 56:18things that no other human can do.
  • 56:20These are different abilities.
  • 56:21So broaden your lens.
  • 56:23Think of these women with
  • 56:24different abilities.
  • 56:25And my last word,
  • 56:26I promise last word is be
  • 56:28the change you wish to see.
  • 56:30So embrace all of your different abilities,
  • 56:33like I told you, my directional dyslexia.
  • 56:35Embrace all of that.
  • 56:36And that's how we heal ourselves
  • 56:38into wholeness.
  • 56:39And that will be the way we
  • 56:41can help heal others around us
  • 56:44and hopefully heal society.
  • 56:53Now, please don't
  • 56:54go anywhere just yet. Just there's two
  • 56:57quick comments, or maybe others if
  • 56:59people need to leave.
  • 57:00After that, if you want to linger,
  • 57:01we have a reception here.
  • 57:03We want people to linger and we
  • 57:04want them to read the biographies.
  • 57:07Yes, but more important than linger
  • 57:09and reading the buyer, If he's there,
  • 57:10someone who is going to say something,
  • 57:12You might recognize it by the name
  • 57:13of Joy Paloso. So,
  • 57:16Joy Paloso. Come on in. We hear you loud and
  • 57:18clear. Come on in. I do this.
  • 57:20I'll place out there. Hi Mama.
  • 57:24Hi, love.
  • 57:27What do you want to tell the audience?
  • 57:29I just told them different
  • 57:30abilities instead of disabilities.
  • 57:34Well, I just want to say
  • 57:35you did a fantastic job
  • 57:37and even though I'm not with you in person,
  • 57:39I'm still your emotional support
  • 57:41daughter supporting from here.
  • 57:45And I'm proud of you and
  • 57:51I'm. I'm glad that like we are where
  • 57:53we are on the journey and that we
  • 57:56can share all of this
  • 57:58together now. And we can go
  • 58:01forward from here. And
  • 58:04yeah, and thank you to Max
  • 58:05for creating the space.
  • 58:07And thank you to our Linda
  • 58:08and Andreas and everybody.
  • 58:10And there's one important
  • 58:12thank you that we want to add.
  • 58:13So all this event in addition
  • 58:15to what Lyndon you mentioned
  • 58:16is being sponsored really,
  • 58:18Ari is the President of the
  • 58:20Alan Slifka Foundation.
  • 58:21And the Alan Slifka Foundation has
  • 58:22been so generous over the years.
  • 58:24And Alan interestingly was
  • 58:27all about coexistence.
  • 58:28Right.
  • 58:29And I'd like to think that this is a
  • 58:31type of coexistence between the arts
  • 58:32and medicine that you have so beautifully,
  • 58:34you know, brought to us and shared with us.
  • 58:36So thank you.
  • 58:37And the last quote is,
  • 58:39thank you for sharing.
  • 58:40So amazing.
  • 58:41I would agree with Virginia Zucchini.
  • 58:43Oh, wherever the art of medicine is love,
  • 58:45there is also a love of humanity.
  • 58:47So again, thank you.
  • 58:48Let me give the last word to Linda.
  • 58:51Anything to add?
  • 58:52Last word for the last word, Ari.
  • 58:55Just that Patrice found this
  • 58:56beautiful quote by Hippocrates.
  • 58:57So there's nothing new under the sun, right?
  • 59:00And it seems so modern and fresh to
  • 59:02bring humanities and medicine together.
  • 59:04But I think Hippocrates directed us to
  • 59:06do that as long as well as do no harm.
  • 59:09So hopefully I've done no harm today.
  • 59:11And hopefully I've encouraged all
  • 59:13of you to bring a more humanistic
  • 59:15approach to your sciences,
  • 59:17to your medicine,
  • 59:18and to recognize your power as a healer.
  • 59:20Just being an empathic witness,
  • 59:21that's all you have to do.
  • 59:23And so thank you for listening today.
  • 59:25And thank you, Max,
  • 59:26for creating the space for us.
  • 59:28And I think we're also just
  • 59:31deeply grateful to Ari for every
  • 59:33step of this journey.
  • 59:34And to everybody who's
  • 59:36listening today on Zoom,
  • 59:37who's also played a big role, thank you.